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When I heard “Passing Me By” in 1992, I understood the lo-fi aesthetic in the crackling needle and distorted, ghostly organ sample from Quincy Jones’ “Summer in the City”. The saxophone precursor to the chorus also introduced me to a more sophisticated rap-jazz fusion.
Well, Lofi Sounds are carefully curated audio environments designed to create an ideal atmosphere for learning and concentration. From the gentle rustle of leaves to the soothing hum of a distant coffee shop, these sounds aim to transport you to a space where distractions fade away, leaving only a conducive environment for deep focus.
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If you’re brand new to making beats and music production, we suggest you start by reading that blog post before you dive into the world of Lo-fi, since it requires some fundamental knowledge of beat-making.
Don’t worry if it doesn’t sound Lo–fi enough yet, we can dirty down the instruments later on when we add effects.
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In the context of music, it corresponds to a specific pitch or tone. The hertz unit measures the number of cycles or vibrations per second, indicating how frequently the sound wave oscillates. In this case, 520 Hz represents the frequency of a sound wave with 520 cycles per second. It's heard that 520-hertz vibration can repair DNA.
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Manipulate the sample to match the tempo and key of your track, then layer it over your drum beat. There is The Bst Lo-Fi a lot that goes into sampling in beatmaking so it will take a while before you get the hang of it. You can read more Study Lo-Fi about sampling in music here.
Anton Berner is a music producer, audio engineer, and songwriter from Stockholm, Sweden. He's produced hip-hop & rap music since the early 2000s and his expertise is in lo fi music no copyright vocal mixing and sample-based beat production. Anton is also the SEO & Content Manager @ Study Lo-Fi Soundtrap and manages the blog and newsroom.